Tuesday, March 3, 2009

Soul Cinema Star of the Month

Dorothy Dandridge


was born on November 9, 1922 in Cleveland, Ohio. Her mother, Ruby Dandridge, was also an actress and encouraged Dorothy and her sister, Vivian, into show business. The sisters would later join up with a young singer named, Etta James and form the singing trio, Dandridge Sisters. Soon after she left high school, she appeared in small roles, such as the 1942 film, Drums of the Congo. In 1945. she would marry Harold Nicholas of the tap dancing sensation, The Nicholas Brothers. They were married for six years and had one child, a daughter, named Harolyn, who was born with severe brain damage. Their marriage ended in divorce in 1951.

Dorothy Dandridge found success as a solo act in which she performed in such venues as the Mocombo Club in Hollywood with the Desi Arnez band. She performed all over the world and became an international star. Her first starring role was the 1953 film, Bright Road, where she played opposite Harry Belafonte. However, she is most noted for her outstanding performances in the 1954 film opera, Carmen Jones, directed by Otto Preminger and the 1959 film, Porgy and Bess, where she co-starred with Sydney Poitier.

Unfortunately, her career would suffer the consequences of racism in Hollywood. Many in the film industry disapproved of her interracial affair with Otto Preminger and because there were not many suitable roles for the actress because of her fair skin, she was forced to appear in less appreciated films, such as, Island in the Sun and Tamango. Her personal life suffered as well. Her second marriage in 1959 to Jack Denison left her practically penniless after she invested most of her savings into his failing restaurant. He left her soon after. Sadly, these unfortunate events forced her to take her daughter, Harolyn, out of private care and place her in a state mental institution and later contributed to her own mental break down. On September 8, 1965 she was found dead in her Hollywood home. There are many questions surrounding the details of her supposed suicide.

Sunday, March 1, 2009

Movie for the Month of March - Cover


When Valerie Maas and her husband Dutch, decide to relocate their family to Philadelphia for his career, everything seems perfect. While Valerie must leave her job in Atlanta as a commercial photographer, she is able to work as a portraitist for her friend Zahara Milton and the family quickly settles into life in their newly adopted city and the upper echelon of Philadelphia's African-American community. As Dutch is less available with his new job, Valerie begins to question her husband's fidelity. Then, an unexpected tip-off results in a shattering discovery that threatens to destroy Valerie and everything that she holds dear. With a New Year's Eve shooting resulting in murder, Valerie now finds herself as the prime suspect, facing off against a veteran detective, with only her strength of character and her stalwart faith to help her escape alive from this unthinkable ordeal.

Thursday, February 26, 2009

Welcome to the Soul of Cinema!

This Soul of Cinema Movie Review blog spot is exclusively dedicated to celebrating the history of black film making and honoring the works of African Americans who have made contributions, big or small, in the film industry. Also, the Soul of Cinema Movie Review group is inspired to promote a new awareness of black films and independently produced projects, such as, movies that are featured at Black Film Festivals. We want to initiate discussions about various aspects of the films, such as, the actors, directors, cinematography, soundtracks and any social issues that the movies may address.

It has been perceived to some individuals that black films lack quality and substance, therefore, they are not worth the attention, respect and support that is given to Hollywood produced movies. While it is in fact true that many black film makers lack the resources to produce big budget movies, it is also a fact that spending big money on a project does not guarantee a hit at the box office, like, the 2001 movie, Town and Country, starring Dianne Keaton, Charlton Heston and Warren Beaty, whose sticker price was $90 million and only brought in $6.7 million at the U.S. box office. Or just ask Kevin Costner about his Water World project.

However, there are many African American writers, directors and actors/actresses that have produced works that are engaging, insightful and entertaining. There is a rich history of genius in black films that transcend the pseudo-science of Hollywood. We can look at the the works of Hattie McDaniel, Sidney Poitier, Dorthy Dandridge, Spike Lee, Pam Grier, Morgan Freeman, Halle Barry, Denzel Washington or Jennifer Hudson to start the list. Or, you could just go and talk to Tyler Perry whose movie, Madea Goes to Jail, debuted at number 1, taking in $41,030,947 at the U.S. Box Office. (Smile!)

The Soul of Cinema Movie Review is only dedicated to reviewing African-American films, however, there are no restrictions on who is welcomed to the review meetings. Anyone who has a thirst for culture, appreciates riveting discussions and love movies is invited with open arms.

Thank you so much for your interest and please subscribe to our posts at the bottom of the page or join our mailing list to receive information about meetings and other events by sending an email to soulofcinema@yahoo.com.


Love, Peace and Hair Grease!

Tamara Brown